Bonded

Photography

I just can’t pretend to be an expert when I’m not. When on the street if you ever spot me, you’d notice I hardly shoot a lot. My philosophy is: shoot only the special stuff.  This became a habit and until recently I got so consumed with the film rangefinders. I brought my 35RC with me I realized I wasted too much time and effort when busy changing settings (manual exposure). I ended up missing what’s around me (got so stressed out too lately). You may argue it’s the fun part. I do not disagree but to my productivity on any normal given day, it does not add up. I need to set free with the auto mode.

The stripped down real basic of what photography should really be; it’s about how we see, how we feel about life, the people and more. It’s a calling to why I photograph. I just want to experience the life around me. What dictates the work of somebody is really how they find interesting experience and paint it like a story. It’s when I go back to the compact, always-ready attitude. It surprised me how it enabled me to produce (more). The more I produce, the more likely to get what I want. I looked back from the 2 or 3 rolls so far I’ve taken. This market scene picture had got to be my favorite. I believe it’s how I bond with my gear by spending quality time with it on the field, then celebrate the results by saying: Thank you! You did it again!

Lips
The Alternative Wedding Shoot
Woman
The Construction Work
Essence Oil
Floral Wall
Disco Neon in Market
Glass Lanterns
Outdoor Theatre (Pound Lane Concern Group)

Severed Outside the Umbrella

Photography

Let us be clear, human has to live. Democracy cannot feed people. In order to feed people, we all need money. To look around the city, traffic is blocked many major roads. Businesses lose money, workers commute for longer time to work/home, tourists wander off to some other districts. Nobody knows when will everything go back to order. Government seems using the draining strategy on the protesters. They are not doing anything but to let the protesters occupy. The effect I see is that the government wishes the affected citizen or the silent majority stand up and get together to clear them out.

While the protest is still unsettled, most people’s voices is that the protesters can still protest under the circumstances to not interfere with their daily lives. It’s the bargaining chip the protesters hold. There’s not really a clear way-out as of this moment.

I’m done with the Occupy Central related material and began focusing more on the daily lives again last week. I did 3 rolls on the Konica. I thought it was too much as well considering many of them turned out weak. It’s why they invented digital in the first place. And I knew beforehand my work as a visitor would not ever be better than the photojournalists camping at the ground zero.

Apart from that, It was a hectic week. With lots of running around in town after knowing the Black Konica has issue on focusing. Neither the previous owner nor the professional repair could fix it. Long story short, I came by a CLA’ed Olympus 35 RC, lens is scratched up (I worried for a few days). It’s 42mm, portraiture would just be fine. Whether will I be able to capture what I usually do, I’d let time answer for me. The silver/black body was something I was fizzy about, not being the most unobtrusive. I got over it after a few use. First roll came out with incredible colors and contrasts. Everything works plus it can operate with full manual control, less the battery. My heart is all over it. This is the replacement.

These images are from mix of two cameras and films, as these were some street shots I made on the test rolls. I mixed them up intentionally to express how mixed up the past week was. Some highs, some (mostly) lows; some clear, some unclear.

Central Java Indoesian Wedding Costume
Market still lives
Busy Subway Station
The Umbrella Guardians
Outside World
Barricade

40 Year-Old ‘Cast Away’

Photography

You’ll never know when you want to pick up a film camera. It’s can be a hassle, it’s uncertain, it’s a risk, it’s a long list of questions popping out from anywhere when not knowing what you are dealing with. Versus digital, basically when you have a camera and battery; you’re all set. The rest is history.

I must give it up to the Lomographic Society still kicking around and still pretty much very active in sharing film related knowledge to anyone with liked minds. What’s more they’ve done is that they’ve made film photography so accessible by erasing all the pain and doubts for the beginners. If you have ever consider buying a film cameras off the craiglist, ebay and other platforms; the chances are you’d spend time researching on the make and model. Once you pinpointed an issue (ex. viewfinder too tiny, battery compatibility, design/mechanical quirks, ASA limitations, limited shutter speed…) you may face, you’d just put it on hold or even just move on. If the price is in your acceptable range, you may just get it anyway; in worst case just treat it as a living room decor or some likes calling it the paperweight.  I’ve gone through these cycles a few times. I know how painful it is but nothing can go terribly wrong as long as I have a fully functional LC-A+ with me.

I’d been working with the LC-A+ for almost two months now. The fact that it’s new brings me assurance on my output. Everything just works. With Lomography’s continual improvements on features from the original Russian model, such as ASA setting up to 1600, film canister window to display film shooting on. This is a fine example how simple it is to just click and you have a frame. A great way to learn about your zone focus with the distance lever. Limited film speed means you’ve to either work all your frames during the day or snap on with a flash. A cast away type of feeling when you actually try hard enough to photograph.

Just few days ago It’s a leap of faith to get a rangefinder off the craiglist. And seriously, why the classics are always looking so darn good?! It’s quite exact the answer how I attracted to the Konica C35 FD (Auto S3). I’m aware this is also rare. What’s more is that I wanted to try the rangefinder experience. Shutter-priority is what lived during the 70s rangefinders. It’s somewhat semi-automatic. You select the shutter speed and it selects the rest for you according to the ASA setting. One of the biggest concern is the battery that powers the light meter. The camera can’t really function without it, as it selects aperture for you. There’re off a lot of debate on this battery topic: 1.35V PX675 mercury battery. To get the right voltage required is theoretically impossible with the modern cell batteries. You can compensate it by tempering the ASAs when going for the LR44 cells, but it’s just no way of knowing unless you check the light meter 24/7.  Some say the color negatives can tolerate these over/underexposure without noticeable difference from the original discontinued mercury cells. It’s everyone’s conclusion that the Zinc-Air 675 cell works best, but the design of it requires exposure to air and it lives for two months give or take. Some say the weather changes the nature of the battery. Seriously? I just want a functional camera.

These rangefinder classics are still out there. I like at them as gems as I love how compact they are as a rangefinder. I see no reason why these rangefinders are merely collectibles cannot re-live during our times. They’ve got fantastic glass, compact body, durable and many of them still out there. The way I see it is that, if there’s a photographic community can develop cell batteries (or even better rechargeable) that works perfectly with these cameras like how it used to be; it’ll unlock more useable gems for analogue photographers. Just imagine one day a group of guys have the power, connection and money to develop something like ‘The Impossible Project’ for Polaroid, in the case of batteries.

Back to this Konica rangefinder. It built like a tank, weights 410g. I thought this thing was about to fall apart as it’s 40 years old and the lens is not like the modern glass with precision. It has a maximum shutter speed of 1/500. You either need a light meter or app to understand what speed gives the best mix of depth of field for your image, or you assess the environment with your own sense.  The later is what I called, guess it. I just received my first developed roll, i believe this is what everyone would have done to test it out. I do not see it acting erratic. More than half the roll was just click and shoot, and exposures on them were spot on! I was so afraid there’d be light leaks and inaccurate metering. What a relieve..It’s also worth mentioning I shot through the entire roll in an hour. Forcing bad shots made me feel so guilty as it’s just wrong with film.

The focus on a rangefinder is a little strange for someone who’d never done it before. Once you know the mechanism of it, you’d become part of it. I found it a bit fun actually, although zone focus still prevail in every other way. To be able to produce imagery out of this Konica, makes me feel honored. There’s no knowing on how much mileage ahead of it. Chances are until it get banged up which won’t happen on my watch.
Portugese Egg Tarts
Imagined Reality
Umbrella
Inter-exterior
Graham Street Market
CrossingLeaks
Noodle Cook
Revisit