Walk on the Artery

Photography

The Umbrella Revolution had taught me about the role of a photographer. Seeing all the great live images from the photojournalists, does make you wonder if you’d be able to get some. Answer is simple, yes and no. Yes, if you get paid. No, if you ain’t get a dime from a single image. There’s a fine line between your passion and your own personal safety. Riots and protests can go sour especially on the frontline when the civilians go against the police authority. You have 50% chance of getting hurt without any insurance coverage, damaging your gear (insurance associated). I just think it’s not worth it to risk on any of the above mentioned unless yourself is part of the protest party. Give the job to the journalists and leave your passion behind until the situation improved.

It was my first time in life remembering how a protest escalated and had turned into a riot of such scale in Hong Kong. My first reaction was ‘Oh my god! It’s really happening’. Right after the surprising announcement by Benny Tai of the Occupy Central founder which’s the same day midnight, they moved up the schedule to occupy Central as the students have gathered at the Government HQ and sparked a huge impact thru the news. It’s a statement just like declaring a war only the students were guerrilla and the Occupy Central with Love and Peace Movement Group is the mercenary backed by the news tycoon Jimmy Lai.

How quickly a movement like this had brought all the international news correspondents to town. I still remember I tuned in the 6pm news report just when I got home. Just when the live reporter about to describe the situation, the riot police popped a few gas grenades out. This type of scenes would only be seen through TV on the soccer-popular countries. The reporter got choked and people were escaping behind. I thought it was a surprise too, but surprises like these were necessary to contain the situation like all riot police in the world. It’s just rare happening here at our home turf. Really rare. The announcement last night I thought i was witnessing something, but then when the protesters gone mad with the tear gas i thought i was witnessing history. The history of how citizen protect their rights to protest and voice their views in indifferences.

The tear gas had brought more people out to the battle ground at the Government HQ the day after. The protesters had jammed the entire highway. That even brought more aware people to visit the site on foot on the first day of work after all the chaos happened over the weekend. All business district without traffic is a joke. It was a little jog from where I work but I made it there twice during lunch and once at night on the early few days of protest. The speedway of both direction to and out of Central is sealed off along with many other major passages, even the world famous double-decker Tram cannot run through Casueway Bay to Central (oops to tourists). It’s the artery to the heart of Hong Kong. Drivers are forced to drive up to the mountain to go pass all the roadblocks. That’s why business owners do not support this Occupy act.

So here I give you an exclusive view of what you might not be seen at the protest, A walk on the artery of Connaught Road.
Day - Jog
Night - Occupy
Day - Watch
Night - Participate
Day - Nap
Night - Revolution
Day - Selfies
Day - Witnessing history
Day - Look down, Step downNight - Look up, Go Hong Kong
Day - Play
Night - Charged up
Night - Sending message through chalk
Night - Sending message thru text

40 Year-Old ‘Cast Away’

Photography

You’ll never know when you want to pick up a film camera. It’s can be a hassle, it’s uncertain, it’s a risk, it’s a long list of questions popping out from anywhere when not knowing what you are dealing with. Versus digital, basically when you have a camera and battery; you’re all set. The rest is history.

I must give it up to the Lomographic Society still kicking around and still pretty much very active in sharing film related knowledge to anyone with liked minds. What’s more they’ve done is that they’ve made film photography so accessible by erasing all the pain and doubts for the beginners. If you have ever consider buying a film cameras off the craiglist, ebay and other platforms; the chances are you’d spend time researching on the make and model. Once you pinpointed an issue (ex. viewfinder too tiny, battery compatibility, design/mechanical quirks, ASA limitations, limited shutter speed…) you may face, you’d just put it on hold or even just move on. If the price is in your acceptable range, you may just get it anyway; in worst case just treat it as a living room decor or some likes calling it the paperweight.  I’ve gone through these cycles a few times. I know how painful it is but nothing can go terribly wrong as long as I have a fully functional LC-A+ with me.

I’d been working with the LC-A+ for almost two months now. The fact that it’s new brings me assurance on my output. Everything just works. With Lomography’s continual improvements on features from the original Russian model, such as ASA setting up to 1600, film canister window to display film shooting on. This is a fine example how simple it is to just click and you have a frame. A great way to learn about your zone focus with the distance lever. Limited film speed means you’ve to either work all your frames during the day or snap on with a flash. A cast away type of feeling when you actually try hard enough to photograph.

Just few days ago It’s a leap of faith to get a rangefinder off the craiglist. And seriously, why the classics are always looking so darn good?! It’s quite exact the answer how I attracted to the Konica C35 FD (Auto S3). I’m aware this is also rare. What’s more is that I wanted to try the rangefinder experience. Shutter-priority is what lived during the 70s rangefinders. It’s somewhat semi-automatic. You select the shutter speed and it selects the rest for you according to the ASA setting. One of the biggest concern is the battery that powers the light meter. The camera can’t really function without it, as it selects aperture for you. There’re off a lot of debate on this battery topic: 1.35V PX675 mercury battery. To get the right voltage required is theoretically impossible with the modern cell batteries. You can compensate it by tempering the ASAs when going for the LR44 cells, but it’s just no way of knowing unless you check the light meter 24/7.  Some say the color negatives can tolerate these over/underexposure without noticeable difference from the original discontinued mercury cells. It’s everyone’s conclusion that the Zinc-Air 675 cell works best, but the design of it requires exposure to air and it lives for two months give or take. Some say the weather changes the nature of the battery. Seriously? I just want a functional camera.

These rangefinder classics are still out there. I like at them as gems as I love how compact they are as a rangefinder. I see no reason why these rangefinders are merely collectibles cannot re-live during our times. They’ve got fantastic glass, compact body, durable and many of them still out there. The way I see it is that, if there’s a photographic community can develop cell batteries (or even better rechargeable) that works perfectly with these cameras like how it used to be; it’ll unlock more useable gems for analogue photographers. Just imagine one day a group of guys have the power, connection and money to develop something like ‘The Impossible Project’ for Polaroid, in the case of batteries.

Back to this Konica rangefinder. It built like a tank, weights 410g. I thought this thing was about to fall apart as it’s 40 years old and the lens is not like the modern glass with precision. It has a maximum shutter speed of 1/500. You either need a light meter or app to understand what speed gives the best mix of depth of field for your image, or you assess the environment with your own sense.  The later is what I called, guess it. I just received my first developed roll, i believe this is what everyone would have done to test it out. I do not see it acting erratic. More than half the roll was just click and shoot, and exposures on them were spot on! I was so afraid there’d be light leaks and inaccurate metering. What a relieve..It’s also worth mentioning I shot through the entire roll in an hour. Forcing bad shots made me feel so guilty as it’s just wrong with film.

The focus on a rangefinder is a little strange for someone who’d never done it before. Once you know the mechanism of it, you’d become part of it. I found it a bit fun actually, although zone focus still prevail in every other way. To be able to produce imagery out of this Konica, makes me feel honored. There’s no knowing on how much mileage ahead of it. Chances are until it get banged up which won’t happen on my watch.
Portugese Egg Tarts
Imagined Reality
Umbrella
Inter-exterior
Graham Street Market
CrossingLeaks
Noodle Cook
Revisit